Haig Yazdjian

Born in Syria to Armenian parents, Haig Yazdjian emigrated to Greece in the early 1980s. Initially drawn to the electric guitar, he discovered the expressive potential of the oud, which became his primary instrument. Establishing himself as a leading oud soloist in Greece, Yazdjian quickly gained recognition alongside prominent composers and singers.

His debut solo oud album in 1994 showcased the instrument's versatility, followed by his first narrative album "Talar" in 1996. This album, named after his daughter, was a musical journey inspired by the landscapes and cultures of Armenia, the Middle East, and the West. His innovative approach to traditional Armenian compositions and Middle Eastern influences garnered him widespread acclaim.

Yazdjian's subsequent albums, including "Garin" (1998) and "Yeraz" (2001), solidified his reputation as a visionary composer. "Yeraz," in particular, received critical acclaim for its dreamlike narrative and universal appeal. His work on the stage music for "Beast on the Moon" by Richard Kalinosky (2000) brought him international recognition, leading to album exports and extensive tours across Europe, the US, and the Middle East.

In 2007, Yazdjian released "Amalur," his most ambitious project to date. This album featured songs with Greek lyrics by renowned lyricists and collaborations with notable artists such as Eleftheria Arvanitaki and Ara Dinkjian. It also marked his first use of the electric oud, showcasing his continuous experimentation and innovation.

Haig Yazdjian's contributions to the world music scene include collaborations with artists like Loreena McKennitt, who featured his oud playing on her album "An Ancient Muse" (2005). His influence extends across genres, blending traditional and modern elements into a rich, textured sound.

Yazdjian remains a driving force in the Greek world-jazz music scene, renowned for his virtuosic oud playing and innovative compositions. His music is a testament to his unique editorial writing style and his ability to unite the traditional with the contemporary.